What I’ve found that works best for me is panning the ‘A’ channel about 75% left, and the ‘B’ channel about 75% right, and then fine-tuning from there. This way, you get ‘A’ and ‘B’ parts that you can combine and create a full, beautiful stereo image. My Favorite Way To Record In Stereoįor this method, you need two omnidirectional microphones.īasically, what you’ll need to do is to position each microphone towards a different part of the thing you’re recording. If you’ve ever faced an issue such as this one, go check out my article about mono compatibility, where I give my best 7 tips for dealing with phase cancellation issues and making your tracks mono-compatible. Phase cancellation issues cause stereo recordings that sound amazing in stereo to sound horrible in mono. Nevertheless, there may be situations where trying to record one singer in stereo might actually be useful.įor example, if you’re recording in a room with unique acoustics, you may want to try and record the lead singer in stereo.īut, notice that this will make the mixing process much more complicated, and you may end up dealing with some phase cancellation issues, so be careful. Therefore, even if you record him in stereo there will be no difference between the left and right channels, making the process of recording in stereo useless.īut, when you record multiple elements, you would rather record in stereo to take advantage of the differences between the different elements’ left and right channels and create width.
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You record one singer in mono since he can only produce one signal. And, recording vocals in stereo makes them sound wide, large, and soft. Recording vocals in mono makes them sound powerful, clear, and upfront. However, you should also consider the way you want your vocals to sound. However, if you record two vocalists or more, you should record them in stereo. If you record one vocalist, you should record him in mono.
#FL STUDIO AUTOTUNE MIXER VOICE ONLY HOW TO#
Mono VS Stereo – What’s The Difference And How To Use It! Should You Record Vocals In Mono Or Stereo? If you want to learn more about this topic and about how to use stereo signals to your advantage so you can make your tracks sound professional, check out this article that I’ve written about the difference between mono and stereo, and how you can take advantage of it. With mono, both your ears get the exact same signal. With stereo, each one of your ears gets a signal that is different from the signal that the other ear is getting. You can use stereo channels to create directionality, perspective, and space, and take advantage of its sound since the vast majority of audio systems today support stereo signals. This way, two different channels are being used, one for the left speaker and one for the right speaker. Stereo channels send two signals, one for each speaker. Have a look at this illustration to better understand it. They can be reproduced through several speakers, but all speakers will still produce the same signal. MonoĪs written above, mono tracks send only one signal to both left and right channels. That way, stereo tracks sound wide, detailed, and a lot more realistic. However, stereo tracks send one channel to the left speaker and a slightly different channel to the right speaker. Mono tracks send only one channel to all speakers. The difference between mono and stereo is the number of channels that they send to the speakers.
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To understand whether we should set our vocals to mono or stereo, we have to understand what’s the difference between the two.
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